THE SORCERER

GARDEN of the GODS

The Sorcerer lived like a well-to-do scholar. He said:

“You admit with credulity and abhorrence the reality of the infernal art of magic, which is able to control the eternal order of the planets and the voluntary operations of the human mind. You dread the mysterious power of spells and incantations, of potent herbs, and execrable rites; which can extinguish or recall life, inflame passions of the soul, blast the works of creation, and extort from the demons the secrets of futurity. You believe, with the wildest inconsistency, that this preternatural dominion of the air, of earth, and of hell, is exercised from the vilest motives of malice or gain, by some wrinkled hags and itinerant sorcerers, who pass their obscure lives in penury and contempt. The arts of magic are equally condemned by public opinion and the law; but, as they tend to gratify the most imperious passions of the heart of man, they are continually proscribed and continually practiced.”

“An imaginary cause is capable of producing the most serious and mischievous effects. The dark predictions of the death of an emperor, or the success of a conspiracy, are calculated only to stimulate the hopes of ambition and to dissolve the ties of fidelity; and the intentional guilt of magic is aggravated by the actual crimes of treason and sacrilege.”

“Antiochians claim Chrestos was invented there, and they content themselves with disobeying the moral precepts, but they were scrupulously attached to the speculative doctrines of their religion.”

So said the Sorcerer on that occasion.

 

Ancient Color

SPECULATIONS ON THE LATE HERETIC PHARAOH

They called you heretic, mad, megalomaniac, monotheist,
And you were probably all of those,
And perhaps a hermaphrodite, or a woman,
And you married your sister, daughter, mother,
And had an affair with your son.

You set up your own city in the friendless desert,
And gathered together friends and families,
Commoners as queens, Hebiru as bureaucrats,
Raised temples and children, palaces and stele,
To mark your City of the Sun.

The old priests said you were evil, cursed by the gods,
When you closed their doors and temples,
Took away their goods and pride,
And canceled their services “forever,”
To be replaced by the one true One.

It took time for the people to feel the old gods’ wrath,
Their old priests had to wait many poisoned years,
While your Aten-god sun-disk grew remote,
And lost the hearts of your bewildered people,
Who looked for one true god and found none.

Would you still stand, if the old priests had let you be?
Probably not, heretic pharaoh Akhenaten,
With your hymns of praise to the Aten,
With your golden god of love, blinding you
With a power too great for your simple human mind.

For gods are renewable, replaceable, and to be forgotten,
Trooping in their legion down the corridors of time,
Leading the way to salvation or perdition,
They’re really all the same in endless ordinary lives,
Amused by the heretic’s deepest, most ordinary crimes.

jl:2-14

 

 

PAY FREAKIN’ ATTENTION, G’DAMMIT!

I have always had this desire to reach out and grab a person and shake the living bejazzus out of him or her, and yell, “What the hell’s the matter with ya, fer chris’sakes?  Are you nuts?  Wake up, for gawd’s sake!  Wake up, dammit!”

Just like that, with all the histrionic emphasis and shouting.

When I have their attention, and they’re scared witless, I will say, “Sorry to bother you.  I got a little excited.”  And walk away.

“So how about those Mets? Hear about the Big Meteor? Size of a refrigerator, they say!”

HOLY GRAIL, BABOON HEART

Pastiche Der Nibelungen.

Ammunition for discussions, harangues and loud debates

BEYOND DAN BROWN: The DeVinci Load. The so-called Holy Grail is the object of legendary quest for Arthurian knights and may be a “wide-mouthed or shallow vessel,” although its precise etymology (in the true literal sense of the word) remains uncertain, and small wonder. The Grail was probably inspired by classical or Celtic mythologies, which abound in horns of plenty, magic life-restoring caldrons, and the like. In Finland, the pre-Christian Kalevala features the sampo, which might be a pillar that holds up the sky, or a mill to produce salt, meal and gold, or a talisman of happiness and prosperity. Take your pick.

The first extant text (or more aptly invention) about the Grail is Chrétien de Troyes’ late 12th century unfinished romance Parceval or Le Conte du Graal, which combined the religious with the fantastic. In the 13th century Robert de Borron’s poem extended the Christian significance of the legend, linking the Grail with Christ’s cup at the Last Supper and with Joseph of Aramea whom he said used it to catch Jesus’ blood as he hung on the cross. In the same century, Wolfram von Esenbach’s Parzival* gave the Grail profound and mystical expression as a precious stone fallen from Heaven (sampo, anyone?). Malory’s late 15th century Le Morte D’Arthur transmitted the fanciful Grail essence to English-speaking readers.

In the story-telling invention, the quest itself became a search for mystical union with God. Through various permutations by many different writers over several hundreds of years, the Grail theme formed a culminating point for the Arthurian romance. It’s a good story device; it doesn’t really matter what it really is, as long as it stands for truth, justice and the “right” way. Its physical presence is just like the True Cross, Longinus’ Spear, St. Michael’s pickled peritoneum, or any other “holy” relic: e.g. entrepreneurs started fabricating bits of the true cross as soon as they noticed a market for it – in fact, selling bits and pieces obviously would part the cross out, so they invented the miracle of overnight renewal; as we’ve seen from Holy Blood, Holy Grail, the DeVinci Code, and Newsweek, people are still making big bucks selling new baubles to hang on the old artificial tree, which is patently, the Grail’s only real value. When you get right down to it, it’s buying a box of air, isn’t it? That’s the way faith works, so have fun with the storyline.

Incidentally, Christ is the Greek Chrestos – a mystery cult popular with the poor and lower middle class of the 1st century C.E. Working people infected their middle class masters with it. Female heads of households were particularly susceptible to its egalitarian message. Self-proclaimed “Apostle” Paul of Tarsus cobbled Chrestos with the historical Jesus movement as a sales package for Gentiles (infuriating the Jesus movement because he co-opted and lied about their guy; of such petty human foibles are great religious movements conceived), but that’s another story.

———————————————————–

* Parzival by Wolfram Von Eisenbach, 13th century C.E. Much ado about fabrics, flags, one’s place at the table, head-busting by foolish men for foolish ladies, and the romantic search for the fabulous grail – the holiest snipe hunt for the silliest prize: the Americas-Stanley-Wimbledon cup of immortality available only for unblemished boobery.  “He’d paid his debt to joy, his life was but a dying.” – Wolfram Von Eisenbach, Parzival.

———————————————————–

MOURNING IN AMERICA: In time, the plastic fantastic mourning that passes for genuine grief will dim.  Society’s itch to have its heroes, even if it has to lie like hell to make them, will be satisfied for the time being.  It will be trotted out again with the next “must-vent” crisis, and we shall have walls of flowers, teddy bears, and balloons – everything in short, nothing short of a full Super Bowl extravaganza – and many blathering speeches shy of substance and dripping with hypocrisy and crocodile tears, mindless chest thumping and blubbering, murmured prayers and homilies, all accepted as available.  Flags will fly.  Guns will boom.  Vendors and trinket salesmen will profit.  Blimps will display large advertising messages and rockets will light the night sky with red, blue, green, yellow and, Lordy loo, who knows what color pyrotechnics?  The body politic will sleep steadier, enervated and expended by a good old-fashioned group grope and mope. This has to be one of the silliest societies on record.

———————————————————–

REVERY: We’ve come a long way, you and I.  Thousands upon thousands of miles, and yet we’re still far short of our destination.  Where are we going anyway?  Haven’t we already been there?  The universe is a big round circle in a dimension so large that we poor mites cannot see the curve.  It looks like a straight line to us, but so does time, and time is a repetition of itself, always telling us the same thing.  As each generation is born, the next arises, and each of those, and all of those millions more, grows by the same learning process, through the same biology, give or take a tiny percent of one gene, which seems to specify skin tone and what we call racial differences.  It’s the same as classifying men by the size of their nipples and finally as insignificant. We all begin as fertilized eggs.  We are one with the chicken and the salamander, the fish and the spider. There is not one atom within us that is remarkable for being unique.  There is nothing unique in the universe, except individual discovery.

———————————————————–

SOME LINKS WORTH VIEWING:

Washington Diarist by Leon Wieseltier, Accommodationism: “One of the most troublesome qualities of reason is that it is not always reasonable.” http://www.tnr.com/politics/story.html?id=cf4e433c-60bd-4184-abc3-fc372c7f8304

Broken Promises: Health Care Deals Struck in Secrecy http://www.commondreams.org/headline/2009/07/10-1

Law Will Let Afghan Husbands Starve Wives Who Withhold Sex http://www.commondreams.org/headline/2009/07/10-4

———————————————————–

FINAL WORD: “We’ve never done it with a baboon‘s heart!” – Hector Elizondo, ER, 9-29-94

Robin the Old: One Brunch Only